Reviews

“Rest In Piss” with this baddass band from smelly Jersey…

Move over, “Clothing for the Dead” by Laethora!

What do we think of Cradle of Filth’s eleventh studio album?

Failure’s reunion record is capable of sitting right alongside their classics.

Sounds just the way you think Rosetta is going to sound five-ish years on from A Determinism of Morality.

Dave really, really, really did not like this record.

Tristan Shone’s one-man project throws us right back into the fray.

A masterful treatment of old and new.

MetalSucks contributor Crash Thompson returns with another episode of “Critical Condition.” This time he sets his targets on Coma Ecliptic, the seventh original studio album (and eight overall) by long-running North Carolina progressive metallers Between the Buried and Me.

How does Coma Ecliptic stand up against Between the Buried and Me’s most recent work? What about how it compares to their earlier classics? What’s new this time around? Watch to find out.

The instrumental outfit is back and better than ever.

A much-needed punch in the gut by a tattooed hand.

On their new album, the band’s creative risks and artistic evolution pay off.

This short, sweet package is going to stab your earholes in the right way…

They’re not gonna find a coop, they’re gonna scoop the coop, they’re not gonna blast any pigeons.

Pit up to this, and only the toothless remain, amirite?

Cleaner, lighter, and safer than the band’s previous releases.

The band otherwise (unfairly) known as “Pete from Baroness with his brother” releases their first album in seven years.

It’s impossible to match the madness of a live Weedeater show; here’s the next best thing…

Another comeback album worthy of the reunited band’s legacy.

The Australian five-piece’s Phil Anselmo-produced sophomore record brings menace and terror.