I guess some metal dudes are annoyed by neo-thrash metal bands like Warbringer, Mantic Ritual, and Municipal Waste. No scene is fun for everyone, so whatever, to each his own and all that. But even if Whorebanger, Spandex Ritual, and Munificent Waste make music of no appeal to your fun-hating ear, frankly, I still insist that you acknowledge their value to metal as a genre. First, each makes music that sounds like five guys making music, which feels great when you’re overwhelmed by metal that sounds like the universe collapsing onto itself (SYL, Emperor), a jet landing in your eye socket (Hate Eternal, Minus’ Jesus Christ Bobby), or mankind’s overthrow by fridge-raiding Nazi robots from the future (Fear Factory). Of course, I love that enormity in metal, especially when it’s the expression of an awareness of Earth’s microscopic significance in the universe. But sometimes it’s more fun to just rock out with a bunch of heshers. That’s good thrash metal. It sounds great at the beach.

And a second and unexpected side effect of neo-thrash’s artistic and commercial successes is their impact on other metal bands. This is all conjecture and surmise, but Municipal Waste’s records are big winners, and now we got a goddamn fucking D.R.I. reunion tour to enjoy. And isn’t it reasonable to conclude that Warbringer’s success would provide a shot of confidence and vigor to elder thrash bands, like fucking awesome Overkill? If you’ve heard their excellent 238th record, Ironbound, you know it’s all energetic and snappy metal (normal for them), but also that it’s their most unabashedly thrashy record in forever. And few deserve wallet-love as much as Overkill, who, contrary to their name, exemplify the unpretentious hesher approach. (See The Years Of Decay‘s “I Hate” which features gang vocals that sound like six dirtballs hollering out the back of a van, not a million-strong army of angry mutant outcasts, like say “Hook In Mouth” by Megadeth.) Big sales or not, Overkill did their part and made a metal record to be reckoned with. For this, we can thank the best neo-thrash bands and fans. For the best parts of neo-thrash, we can thank Overkill.

-ADF

After Corey Mitchell’s perfect review of their album Executioner, how could we resist running a tour blog from Mantic Ritual guitarist Jeff Potts? Read his first installment below, and if you’re very well behaved, others will follow…

Right now I’m sitting back stage at the Masquerade in Atlanta with the peculiar kind of sore throat that only comes from prolonged screaming and generally abusing the hell out of the vocal chords.  This doesn’t sound that weird for a guy who’s in a  thrash band on a black metal tour, but it’s actually pretty odd – because I’m the guitarist.

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The MetalSucks-sponsored U.S. Plague Tour 2009 — featuring Marduk, Nachtmystium, Mantic Ritual, Merrimack, and on select dates Black Anvil — is currently under way. The tour kicked off Friday in Worcester, MA, runs through the South, up the West Coast, and then cuts back through the Midwest, ending December 16th in New York. In a cluttered Fall tour marketplace, this is one that definitely stands out from the pack. Must-attend!

And if you didn’t hear, Nachtmystium’s Black Meddle Part II is currently in the works. By now pre-production should be complete and recording will supposedly begin in January for a Spring release. Stoked!

Full list of tour dates — with ticket buy links — after the jump.

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Nachtmystium’s Black Meddle, Pt. 1 was one of the best albums of 2008, ending up at the top or near the top of most MS staffers’ top ten lists that year. So, naturally, Nachtmystium fans everywhere have been asking the question, “Hey, where the fuck is Black Meddle, Pt. II?”

Well, hey, guess what? The band has issued an update to that very query on their MySpace page:

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I don’t know about you guys, but I’ve actually learned a lot from metal. For example, when I was a kid, I heard Axl Rose use the word “cunt” in the song “Bad Obsession” and subsequently asked my dad, “What’s a cunt?” To which he responded, “Your mother’s sister.” And I instantly knew exactly what a cunt was.

Metal continues to educate me every day, and this morning has been no different. Marduk have a new song, “Phosphorus Redeemer,” streaming on their MySpace page, and while I initially thought the title was just a nonsense combination of two words, it turns out that Marduk didn’t invent the phrase. Amazing!

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Following three very special U.S. appearances earlier this month in Baltimore, Philadelphia and New York (effectively breaking their streak of visa issues), Swedish black metal battalion MARDUK will return for a full North American headlining tour this November dubbed the U.S. Plague Tour 2009. The band will be joined by Nachtmystium, Mantic Ritual, Merrimack and Black Anvil (on select dates).

Having missed Marduk at the aforementioned New York show and having been subject to at least 2 Nachtmystium cancellations in the past year, we’re psyched to be a part of this tour. Our own Corey Mitchell gave Mantic Ritual’s latest a five-out-of-five horns review, and Black Anvil are quite the talk of the town at the moment — we’re new to Merrimack, but we’ll certainly give them a shot. What a solid lineup. Full list of tour dates after the jump.

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Have you ever popped in a CD that you knew nothing about beforehand, had no expectations of whatsoever, and were so completely blown away by what lay within the “grooves” that you were forced to reconsider everything you thought about the state of heavy metal?

Nah, me neither.

That is…until I heard Mantic Ritual’s Executioner.

The Pittsburgh, PA thrash band, formerly known as Meltdown, have recently earned raves from the Godfather of Thrash, one Mr. James Hetfield*. That may be damning with faint praise these days, but the Metallica frontman is absolutely, 100% correct in his assessment that Executioner is the “Best Debut Thrash Album” of 2009.

I’ll go much further and stake my claim that Mantic Ritual’s Executioner is the best debut album by a band of any musical genre since the aforementioned Metallica’s Kill ‘Em All was released way back in 1983.

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