Slipknot performed as part of this past weekend’s Athens edition of the Sonisphere festival. It was their their first show since the untimely passing of Paul Gray last year, and, therefore, their first show with former guitarist/current bassist Donnie Steele. And I think a lot of people were wondering how they would handle the transition; obviously, the band needed to pay tribute to Gray, but how would Steele appear on-stage? Would he Gray’s costume, the way Tommy Thayer basically pretends to be Ace Frehley when he plays with Kiss, or otherwise be given his own mask, the way Vinnie Vincent was given his own character when he was in Kiss?

Well, the answer is, “Neither.” The ‘Knot opted instead to have Steele stand off-stage, while Gray’s empty outfit stood by the drumer riser, scarecrow-like, for the duration of the show. And that might seem like kind of an odd decision, but, really, there’s no good or “right” way to handle a situation like this; there was going to be a certain amount of tension in the air no matter what, y’know?

You can check out more footage from the show, and the band’s complete set list, at Metal Insider. Meanwhile, there’s still no official word on whether or not there’s gonna be another Slipknot album, but I would bet a lot of money in favor of it happening.

-AR

When you go to a KISS show, you expect certain things. Explosions, blood, loud noises, drunken fist-pumping, explosions, fire, platforms, explosions, demon/starchild/alien/cat faces, obnoxious amounts of sequins, and possibly even explosions. It might seem cliché and it might seem over-done, but that’s what comes to mind when you think KISS + concert. So it’s a good thing they know that, too, because their show at the Comcast Center in Mansfield, MA was the loudest, brightest, most epileptic-fit causing explosion, ever.

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I love Metal Insider‘s Bram Teitelman so much right now I could kiss him on his Quaker Jewish mouth right now (And no, I’m not kidding. And, oddly enough, Teitelman is the second Quaker Jew I’ve known. Bizarre.). See, Bram noticed what the rest of us failed to – that the riff from the new Kiss song, “Modern Day Who Gives a Fuck,” is more or less a total rip-off of The Sword’s Freya.

Think Bram is wrong? Listent to both and decide for yourself.

Here’s Kiss:

And here’s The Sword:

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