MetalSucks

It’s easy to be jaded after attending a billion or so live shows, but climbing the hill up to San Manuel Amphitheatre, the site of Cypress Hill’s MetalSucks co-sponsored SmokeOut festival, I was transformed into a gawking greenhorn. (I would soon be treated like one, as well.) Behind my rib cage,  calm battled with rising euphoria, and not only because I stood with a hefty joint in my shoe at the gates of a tri-county puff-athon on the nicest late-October Saturday ever; mostly, I was just tweaking to look in on a magnificent but savagely wounded band at this early stage of recovery. Yes, the SmokeOut would feature the Deftones, who have played around ten shows since an auto accident left their bassist, Chi Cheng, in a coma. And despite the puzzling news that to-be sixth album Eros had been shelved, the band already had been showing positive signs and seemed poised to reintroduce themselves via a violent new song (“Rocket Skates”) and a spritely, newly-slimmed singer (the gossip had Chino Moreno at anywhere between twenty and eighty pounds lighter). Exciting!

Two hours later, right before the Deftones took the stage, night had fallen, the denizens of the cheap seats waded ankle-deep in litter, and I was pissed off as shit.

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Scott Weiland’s been out of Velvet Revolver for quite some time now, and there’s still no word on their search for a new singer. I had assumed that they hadn’t announced anyone because they just couldn’t find someone famous enough. I mean, let’s be real – they’re not gonna hire some unknown. If they did, they’d fail to be a supergroup – they’s just be Slash’s Snakepit III. As it stands, Slash doesn’t know Dave Kushner’s name (he repeatedly identifies his co-guitarist as “Dave Kirshner” in his autobiography), and he’s known Kushner since they were kids; what the fuck would he do with an unknown singer?

I guess there must be some other issue, though – ’cause Corey Taylor, front man for Slipknot and Stone Sour, recently revealed that he tried out for the spot:

“I had a meeting with those guys, we did some demos together, and it just didn’t work — for whatever reason… It was just really cool. It was one of those things where it’s like I could have got to jam with legends, man, in my opinion. But, you know, it was cool, and I still know those guys, I still hang out with them, and I still have nothing but respect.”

So I gotta wonder why this didn’t work out. Taylor’s voice is comparable to Weiland’s, he’s well-known, he’d probably bring in some young kids who might otherwise not give a shit about Guns Without Rose, and he’s a very charismatic and entertaining band leader. So did his personality just not gel with that of the dudes in VR? Were they worried that with two other bands, he was already over-committed? Did Roadrunner (the label that distributes both Slipknot and Stone Sour) put the kibosh on the whole thing, as they allegedly did when Taylor almost replaced John Bush in Anthrax? We might never know, but I find the whole thing pretty curious.

Weigh in with your thoughts on Taylor as the new Axl Weiland below. And while you’re pontificating, enjoy this bootleg video of Taylor performing “It’s So Easy” with Slash. It might be the closest we ever get to seeing  a Taylor-fronted VR.

-AR

Just because it makes me giggle.

-AR

[via Blabbermouth]

“Dead Memories” was initially one of my least favorite songs on All Hope is Gone, the latest from Slipknot (which we’re giving away right now!), but it grew on me – I like that little dip the guitar does during the chorus.

I basically like the band’s new video, too – Slipknot are nothing if not a visual band and I generally think they make good videos – but I have no fucking idea what’s going on here. The tone is kind of inconsistent – it’s amusing but not really funny, creepy but not really scary – and… well… I guess Corey Taylor’s dead memories all have to do with chicks in their underwear. Which, come to think of it, doesn’t make him all that different from most dudes.

-AR

It wasn’t that long ago that we interviewed The Red Chord bassist Greg Weeks via e-mail, but since a) that interview turned out to be one of the best we’ve ever done and b) we love The Red Chord, we just couldn’t resist the chance to sit down with vocalist Guy Kozowyk at the Long Island stop of the Rockstar Mayhem Festival. Guy was happy, or at least very good at pretending to be happy, to talk to us about the tour, playing in front of such huge crowds, and the already legendary Ladder Up an Ass project, but, like his bandmate, he was also cool enough to humor Axl Rosenberg when he asked a stupid question on behalf of his girlfriend. Check out the full transcript of our chat after the jump.

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Let the haters hate: Slipknot are a good band, and, more than that, they’re a good band that has show substantial growth from album to album – and their most recent release, All Hope is Gone, is no exception. Sonically, the record is something of a codification of everything the band has ever done, which means the Stone Sourisms (clean vocals, reasonably radio-friendly alt-rock anthems, moody power ballads, etc.) of Vol. 3: The Subliminal Verses are here once again. Whether or not that’s a good thing, ultimately, will depend solely on the tastes of the listener.

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Hey, did you know that there’s a Slipknot cover band called “Tonkpils” (which is just “Slipknot” spelled backwards)? It’s weird, but true. Go figure.

ANYWAY, Slipknot unveiled their new masks at 12:01 am last night (actually, that’s bullshit – it was more like 1 a.m. EST). Now, a pattern has emerged over the years with regards to these dudes and their masks: some of them do major variations on a theme from mask to mask, and some just pretty much stick to the same thing every time. The differences between incarnations of Jim Root and Mick Thompson’s masks, for example, are negligible, while Corey Taylor and Shawn “Clown” Crahan obviously like to get jiggy wit it.

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