DO I OR DO I NOT CARE ABOUT SEEING PUSCIFER LIVE? THAT IS THE QUESTION.
Friday, December 18th, 2009 at 3:30pm by Vince Neilstein
Puscifer, Maynard James Keenan’s bizarro electro lounge music side-project, just announced a string of East Coast and Midwest dates for Spring 2010… and while I was initially very excited, upon further reflection I’m not so sure.
I feel like I’m in a cartoon, when a character has an angel on one shoulder and a devil on the other, both strongly making the case for their cause. Here’s what mine are saying:
Angel: It’s Maynard! He’s a genius! While Puscifer might not really be your bag, Maynard’s one of the most creative guys in all of music and will surely put on a show that’s at the very least entertaining. Go to the show! Come on! Do it! You know it’s the right thing and you won’t regret it.
Devil: Don’t bother with this tripe. The music’s not that interesting, and the show won’t be what you’re hoping for. Ultimately you want this to be Tool, and it isn’t Tool at all. Don’t waste your money or your time… no reason to go to this!
I’m divided. I really don’t know what to do. Halp!
Full list of tour dates after the jump.
-VN






In typical Tool fashion, the
Uberdrummer Josh Freese is getting ready to release a new solo album, Since 1972 (Freese’s YOB, natch), and is apparently determined to one-up his former boss Trent Reznor for the “Rockstar Adapting to a Changing Market in the Coolest Fucking Way Imaginable” award. Now, it’s entirely possible that Freese is just joshin’ around (sorry, couldn’t resist) – but even if he is, he’s funny as fuck. Here are the various price levels for purchasing Since 1972, and what Freese is (allegedly) offering for said price levels… I don’t even have to make any jokes here because Freese has done all the work for me:
By and large I think that re-mix albums are a total waste of time; only once in a blue moon does anyone manage to come up with anything interesting (or, at least, more interesting than the original track), so they often seem like cash-ins in the vein of “expanded edition” re-releases.
I’ve made it clear before that
I don’t know what the consensus is on A Perfect Circle these days, now that they’ve been gone a few years; personally, I loved them (okay, maybe not eMotion, but definitely their first two albums). Were they as good as Tool? Of course not (who is, really?). But they were fuckin’ great, and the two times I got to catch them live, they killed.