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Our pals over at Metal Injection recently unearthed the below video of Fantomas playing a medley of old Slayer tunes, and, yeah, it’s pretty great. Despite the presence of Slayer drummer Dave Lomabardo, Fantomas put their own unique spin on the material, rather than just doing rote copies of the originals. Killer stuff… check it out below:
-AR
On December 31, 2008, Fantômas– the on-again-off-again supergroup featuring Mike Patton (Faith No More, Tomahawk, Peeping Tom), Buzz Osborne (Melvins), Trevor Dunn (Mr. Bungle, MadLove) and Dale Crover (Melvins, Shrinebuilder) — performed their 2001 album The Director’s Cut live at San Francisco’s Great American Music Hall. Nearly three years later the band is releasing The Director’s Cut Live: A New Year’s Revolution on DVD and as a standalone audio download via Ipecac Recordings.
As you’d expect from this rowdy cast of characters, the performance was electric. Check out the song “Cape Fear” from the show below. The Director’s Cut Live: A New Year’s Revolution came out yesterday and is available for order here; you can also download just the audio here.
If you haven’t read Part One of my interview with Melvins frontman Buzz Osborne, you might want to check it out before you go any further. In this second and final installment of that conversation, King Buzzo pulls no punches. See below to learn his thoughts on grunge, crabcore, and why he’d rather open for Madonna than ever play Ozzfest again.
Interviewing Buzz Osborne was, without a doubt, one of the best experiences of my lucrative career in music journalism. Sometimes, interviewing can be a real drag, me trying to pull meaningful answers out of disinterested people. What a bummer it is when you realize that someone whose music you dig turns out to be a jerk or worse–a bore. Thankfully, the frizzy-haired Melvins frontman and Fantomas guitarist proved to be a funny, engaging, and opinionated interviewee, turning what could have been a straightforward Q&A session into an hour-long phone conversation. For your sake, I’ve broken this dialogue up into two parts, the first of which appears below.
The Bride Screamed Murder, the imminent new full-length Melvins album, is the strongest work of the current Big Business-infused lineup and quite possibly the best damn record the band’s put out since the classic Houdini. Read on to learn King Buzzo’s thoughts on the new record, black metal, military cadence, and why U2 are “a bunch of pussies.”
It’s true. I interviewed Mike Patton. Do I even need to do an introductory paragraph for this? You either know who Mike Patton is or you have no fucking business reading this website. Disagree? Suck it.
I will say this, though. Mr. Patton’s latest album, Mondo Cane, is a collection of Italian language cover songs, recorded with a forty-piece orchestra. And it’s fucking great. While that might not sound very metal, it makes sense to anyone who’s followed his career of making exciting, challenging, and even befuddling music with groups like Faith No More, Fantomas, and Mr. Bungle. Check out what he has to say about Mondo Cane – and much more — below.
Buzz Osbourne of the Melvins once said in order to make a perfect song, “you have to… be able to hide what you’re stealing from really well.” Evidently, new Relapse Records signing Mose Giganticus haven’t quite figured that out just yet, because the verse to their song “The Left Path” seems like a seriously obvious rip off of “The Talking Horse,” the lead track off the Melvins’ 2006 LP A Senile Animal. Visit Mose Giganticus’ MySpace page and give that track a listen. Then check out the (quite bizarre) Melvins video below the cut.
I suspect that, save for the weirdos and closeted avant-jazz heads lurking among our readership, many of you are unaware of or oblivious to the work of Trevor Dunn. Of course, any Mr. Bungle fan will instantly recognize the name of that seminal band’s bassist. Produced by the influential and infamous John Zorn, its 1991 self-titled debut might be one of most bizarre albums in my collection of bizarre albums, blending bombastic hard rock, demented circus music, and freak jazz with thematic wit, irreverence, and depravity. In subsequent years, the Mike Patton-fronted group took a proverbial backseat to the vocalist’s work in the comparatively more successful Faith No More, leaving Dunn and his cohorts to pursue other musical ventures including Secret Chiefs 3. Though Mr. Bungle ultimately and mysteriously disbanded after the release of its third album California, Patton and Dunn would continue their musical partnership in the experimental metal supergroup Fantomas–a still technically active quartet that also includes Melvins’ esteemed axeman Buzz Osbourne and Slayer’s revered drummer Dave Lombardo–as well as the related Fantomas-Melvins Big Band and Zorn’s “Moonchild”. Separately, Dunn has spent much of this decade as a major player in New York’s avant-jazz community, featuring in countless groups and albums including his own Trio-Convulsant. MadLove, however, might be the most extraordinary (and frustrating) release of Dunn’s career given its curious straightforwardness and accessibility.
