FEAR, EMPTINESS, DECIBEL: THE MAY ’11 COVER STORY REVEALED!
Before there were blogs there were these things called magazines, and the only metal magazine we still get excited about reading every month is Decibel. Here’s managing editor Andrew Bonazelli…
J. Bennett stopped by Decibel HQ last month; naturally, we took the opportunity to grab some adult beverages. It didn’t take long for me to punch up some Kylie in a jukebox that was doing just fine with Use Your Illusion and Ride the Lightning. Nor did it take some random backpatch hombre long—like maybe a second and a half—to cleanse the bar of Ms. Minogue’s exotic stylings with something off of Relentless. Little did this kid know that my drinking comrade was in town specifically to meet up with Bobby Liebling for our May cover story. Ah, the seren-dipshittery—a nice bit of low comedy before an interview that I assume blew even Bennett’s mind.
Said cover story is an instant favorite for multiple reasons, but I think number one is this brief aside from Sean “Pellet” Pelletier, longtime Liebling supporter/sufferer, describing the abode of the Pentagram mainman’s parents.
“There were Cocoa Krispies stuck to the ceiling because Bobby threw a bowl of cereal.”
That’s what I call living. I mean, you don’t need heroin and crack to do that shit, although I suppose it helps. On a moderately more serious note, while the cover’s in simple black and white, the issues detailed therein—loyalty, hedonism, spirituality—span a broad, colorful spectrum. Liebling has defied the odds in virtually every facet of his life—despite endless, infamous struggles with addiction, he’s concocted an absolutely essential proto-doom canon, and lived long enough to see a lethal cocktail of self-sabotage and bum luck transform into international adulation. Worthy subject matter—funny, heartbreaking and, again, sometimes mind-blowing.
And the rest of the issue is no slouch. We’ve covered the Napalm Death flexi already, but there are outlandish and informative features on Burzum, Gridlink, Kylesa, Krallice, Darkest Hour (specifically John Henry’s metal mutha), Obscura, the Scion Rock Fest and shitloads more. Hit it or quit it.