Good morning!!! As you read this, I am sitting in an oral surgeon’s chair, having my wisdom tooth ripped from my skull. But you get to do something much more fun: listen to “Parasitic Scriptures of the Sacred Word,” a new Goatwhore song which is now streaming here. If you’re feeling angry or stressed, this lil’ ditty is the perfect thing for ya. FEED YOUR RAGE UNTO IT!!!

Look, guys. I played this album backwards the other day, and then my cat turned inside out, and the floor opened up and fire started spewing forth and shit, and this really ugly demon broad arose and gave me the best sexual experience of my life, and then my face melted. Okay so that may not have really happened, but Goatwhore’s new album Blood for the Master is really good, and you should listen to this song, and then you should buy Blood when Metal Blade releases it on February 14. You should also read our own Sammy O’Hagar’s recent four-outta-five-horns review of the record.

And I’m gonna go listen to it again right now this very second.

-AR

via The Chive, in case the logo didn’t make that clear

Can someone please try the above but with metal? I don’t really care if it’s death metal or power metal or whatever, just make sure you film it and send it to me. Also, don’t get arrested. Thanks.

ANYWAY, here’s some shit we did this week:

• We debuted new music by Scale the Summit and Junior Bruce.
• We learned about the NBA from God Forbid’s Doc Coyle.
• We spoke to Alex Webster from Cannibal Corpse and Kris Norris from A Cancerous Affair.
• We checked out the latest album from Goatwhore, hardcore 7″s from Losin’ It, Appalachian Terror Unit, and Overlooked, and free releases from Autolatry, Yellow Eyes, Agartha, and Uvikra.
• We were surprised to learn that bands like this still exist.
• We were reminded that Juggalos are hilarious.
• We learned that Greg Puciato is dating the porn star Jenna Haze.
• We also learned that Bill Ward isn’t participating in the Black Sabbath reunion.

Okay, five o’clock! Time to punch out! Who’s got a joint?

-AR

Not enough can be said about the miraculous change Goatwhore made on 2009’s Carving Out the Eyes of God. A relatively small tweak — the inclusion of the occasional hummable thrash riff — suddenly opened the band up: instead of a cold, perfect-to-a-fault killing machine, they became a well-functioning doomsday device. From there, they just spat out a series of surprisingly well-crafted songs. Not much has changed on their latest, Blood for the Master, but not much needed to: Goatwhore’s latter-day appeal rests in perfecting a model then wringing as much as they can out of it. After seeing dozens of once-mighty bands stumble over tone-deaf prog or ill-used pop songwriting, staying the course could be the best decision they’ve made. If it ain’t broke, just keep reappropriating Exhorder riffs to maximum effect.

Click to read more…

Goatwhore’s Blood for the Master has quickly become one of the favorite jams to play around the MetalSucks Mansion these days; I love it, Vince loves it, Sammy O’Hagar just turned in his review and hey, guess what?, he fucking loved it. And that’s because it’s awesome, and only total losers would argue otherwise.

Now our pals at Decibel are streaming the title track, which means you have a chance to listen to three minutes and thirteen seconds of great new Goatwhore music. So go listen to it immediately, or risk being the subject of ridicule by everyone you know and love.

Metal Blade will release Goatwhore’s Blood for the Master on February 14, presumably because, yes, it is indeed the most romantic fucking album of the year. And don’t forget that Goatwhore will be part of an awesome MetalSucks-sponsored tour with The Faceless, Dying Fetus, Volumes, and Last Chance to Reason in March; you can get dates here.

-AR

Oh. Fuck. YES.

MetalSucks and Dead End Threads are proud to present what has to be not one, but really two of the sickest, most brutal tours of the new year. From February 26 to March 3, death metal legends Dying Fetus are hitting the road with death metal legends-in-the-making Job for a Cowboy and Volumes, plus Last Chance to Reason, one of the most exciting up and coming young prog acts on the scene today. That’s a line-up so solid you’d need a jackhammer to break it. And while you might be bummed to learn that Job for a Cowboy leave the tour after that, not one but two bands will be hopping on to make up for their absence: tech-death spacelords The Faceless and one of the most evil bands ever spawned, the mighty fucking Goatwhore.

So, like we were saying:

Oh. Fuck. YES.

These shows are gonna be beyond insane. Like, a make-sure-all-your-affairs-are-in-order level of nuts. You absolutely cannot miss these bands when they come to your town. So get dates after the jump!!!

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If you still have any doubts that being in a band is for losers, watch Why You Do This, the documentary by Car Bomb’s Michael Dafferner. It is a cold, hard bitch slap of reality. Including interviews with Richard Christy, Randy Blythe, Joe Duplantier, Ben Falgoust, and a bunch of other cool dudes, Why You Do This premiered last year at the Queens World Film Festival, and is now streaming online in full. Check it out:

If you enjoyed that, you can order a DVD right here.

-AR

[via Metal Insider]

I love Goatwhore because a) I love telling squares I make my living writing about bands with names like “Goatwhore,” and b) more importantly, they never seem to let us fans down. And their latest, Blood for the Master, is no exception — the Nawlins quartet has, once again, delivered a capital-”E” Evil album that is sure to fuel many a night of anti-social behavior and scare the living shit out of your neighbors.

The band has unveiled a new song from the album, “Collapse in Eternal Worth,” which you can stream below. I’m not even sure I understand what it means to collapse in eternal worth, but when the song is this good I don’t really care.

Goatwhore are going on tour with Hate Eternal — whose mastermind, Erik Rutan, produced Blood for the Master – starting next month. Get dates here.

Meanwhile, Blood for the Master comes out — when else? — on fucking VALENTINE’S DAY via Metal Blade. Buy it for someone you love.

-AR

Before there were blogs there were these things called magazines, and the only metal magazine we still get excited about reading every month is Decibel. Here’s managing editor Andrew Bonazelli…

Hey everyone. Hope you had a stellar break sharing Trans Siberian Orchestra dubstep mixes/thoughtless $25 Amazon gift cards with your loved ones. If the cover of the new Decibel is any indication—Ben Falgoust rocking a gotta-shit scowl while the other three dudes in Goatwhore do their best Mona Lisa impressions—2012’s gonna be another utterly fucked-up yet strangely satisfying year.

There’s a je ne sais quoi to NOLA metal bands, something iconic about the way they present themselves that’s tough to articulate, yet immediately identifiable. Everyone wears extra black, but they do it right. Like fellow N’awlins linchpins Crowbar, Eyehategod and Down, our February cover stars are among the hardest-working, no-bullshit, most authentic extreme bands around, qualities evident in their radical fifth LP, Blood for the Master. I just hope we remember the Goat when it’s Top 40 time at the end of the year—or, since we’ll all be obliterated, that Woody Harrelson and John Cusack remember.

The February dB also features our always, uh, completely accurate Top 25 Most Anticipated Albums of the Year preview, plus features on Black Tusk, Evoken, Will Haven and King Diamond, and Autopsy’s killer inaugural flexi. It’s up to you to see who else is representing on the gauntlet tip.

-AB

You can order the February 2012 issue of Decibel here. But why not just get a full subscription to ensure that you never miss one an issue?

Although their respective sounds are quite different, Goatwhore and Hate Eternal have three important things in common: they’re both on Metal Blade, they’re both produced by HE’s Erik Rutan, and they’re both so endlessly awesome that they put most other bands to shame. If aliens landed tomorrow and said “What is metal?”, you could do a lot worse than to point to these two bands as examples.

So the news that they’re touring together should make you very happy if you live near one of the announced dates, or very depressed, if, like Vince and myself, you do not. I have little doubt that these shows will be spectacular.

Support is coming from Fallujah and Cerebral Bore, who I think are both intriguing young bands with potentially bright futures ahead of them, if not necessarily instant home-run acts. Still, Goatwhore + Hate Eternal should = your attention.

Here are dates, via The PRP:

Click to read more…

FEATURING MEMBERS OF GOATWHORE, AGALLOCH, WARBRINGER, ROSETTA, ZEBULON PIKE, NOCTEM, THE WILL OF A MILLION, EXCOMMUNICATED, AND TRANSLATION LOSS RECORDS

Every year year, MetalSucks asks musicians from across the vast spectrum of the metalsphere (or, in a few cases, the almost-metalsphere) what their favorite albums of the year have been. Death metallers, thrash metallers, black metallers, stoners, grinders, and djenters alike have graciously contributed lists to MS, and we’ve been running them in groups of nine to ten musicians at a time two to three times a day for the whole week.

After the jump, check out the final group… we hope you enjoy seeing what some of metal’s heaviest hitters were into this year as much as we have!

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Lock Up — the supergroup (for lack of a better term) featuring Tomas Lindberg of At the Gates/Disfear fame, Napalm Death’s Shane Embury, super-famous-drummer-dude Nicolas Barker, and Pentagram’s Anton Reisenegger — have never tour the U.S. before… but that’s gonna change in February, when the band will cross the ocean to do a headlining run here in the States. The dudes involved in the group are probably enough on their own to make you wanna go see ‘em, but just in case, the band is bringing Goatwhore and Strong Intention along for support. I can’t speak intelligently about Strong Intention, but Goatwhore fucking rules so hard, so I’m pretty much already onboard with this tour.

Here are dates, courtesy of Lambgoat:

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There’s still six dates left on Exhumed’s MetalSucks-presented tour with Goatwhore and Havok! The shows thus far have been completely fucking nuts, and we assume if you live near one of the remaining dates, you are going. But if for some reason you aren’t going, you should check out this sweet live footage from Metal Injection, ’cause it will make you wanna go.

See? Now you wanna go, right? So go! Remaining dates and ticketing info are available here. And you can check out more footage from the tour at Metal Injection: Goatwhore live and Havok live. Enjoy!

-AR

Over the weekend, we got an e-mail from Ron Blackwell — the vocalist for Danny Lilker’s black metal project, Nokturnal Hellstorm — informing us that he had recently proposed to his girlfriend onstage during an Exhumed show. I didn’t get to watch the video of the most romantic thing in the history of love until this morning because I was, y’know, kinda busy, but now that I’ve actually seen it, all I can is, holy shit, this is twice as beautiful as I imagined it would be.

I just cried a little. Anyone else just cry a little? I mean, that was fucking beautiful.

If you need a little romance in your life, don’t forget that Exhumed’s North American headlining tour with Goatwhore and Havok — which, hey!, we happen to be presenting — is ongoing through November 20. Get dates and links to purchase tickets right here.

-AR

[UPDATE, 4:30pm EDT: As some of you pointed out, Cephalic Carnage have, in fact, dropped off this tour. -Ed.]

Hell fuckin’ yeah, bitches! We are proudly co-presenting death metal masters Exhumed’s North American headlining tour, which, just to make extra-extra-sure you attend, features the unfuckwithable support line-up of Goatwhore (seriously fuck you if you don’t worship Goatwhore), Cephalic Carnage (best Entire Catalog to Get Stoned To ever?), and Havok (one of the only modern thrash band that actually matters). The tour was supposed to begin last night in Gallup, NM, but now that show has been pushed back to the end of the trek; alas, tonight’s gig in Amarillo, TX has been cancelled altogether.

But the tour will officially fo’ realz kick-off tomorrow night in Oklahoma City!!! You can get all the dates on the newly-updated itinerary, plus links to purchase tickets, right here. DO NOT MISS THESE SHOWS! They are guaranteed to be completely brutal and completely unforgettable.

Before there were blogs there were these things called magazines, and the only metal magazine we still get excited about reading every month is Decibel. Here’s managing editor Andrew Bonazelli…

Goatwhore’s Carving Out the Eyes of God settled in at #27 on our Top 40 Albums of 2009 list, and in the accompanying write-up, Liz Brenner enthused that the blackened-death clusterfuck was the sort of “neck-bulging, fist-extending sort of heavy that makes it hard to breathe freely or form sentences that don’t start with ‘fucking.’” I know we tend to get hyperbolic about NOLA sludge at dB, but… hold on, let’s get to a period. Fucking a. (You go, Liz.)

It’s so cool and gratifying when a solid, hard-working veteran band starts lurching towards greatness—unless you have your shit together from note one of song one on album one, evolution and development are pretty great things—and now we’re all psyched about album numero cinco, due in 2012. This month’s installment in the dB Flexi Series isn’t a sneak preview per se, but it’s the first piece of new music you’ve heard from Goatwhore in a long time—a cover of Motörhead’s self-explanatory and totally correct “(Don’t Need) Religion,” off 1982’s Iron Fist. The gents banged out the cover during sessions for the as-yet-untitled new Metal Blade LP, and you can stream it right here in advance of the hard copy, which will—as always—be available to subscribers only in the December Decibel.

Goatwhore “(Don’t Need) Religion” (originally by Motorhead) (dB012) by Decibel Magazine

-AB

The December 2011 issue of Decibel also features Megadeth, Municipal Waste, Animals as Leaders, Absu, and Russian Circles,and can be ordered here. But why not just get a full subscription to ensure that you never miss one of these awesome flexi discs?

Hiya. Did everyone have a nice weekend? I mean, I don’t especially care. I just know that’s what normal, polite people ask one another on Monday mornings.

ANYWAY, we begin this week with a double dose of shittily filmed fan videos of new material from great bands. First up we have Goatwhore performing a new tune called “Beyond the Spell of Discontent.” The quality of this video is not very strong at all, but the song sure does seem Goatwhorish enough! And not that it really has anything to do with anything, I continue to love that Sammy Duet plays his guitar almost like an upright bass. I also continue to love that the band named themselves “Goatwhore.”

Goatwhore’s new album should be out next year via Metal Blade.

-AR

[via No Clean Singing]

[UPDATE, 4:30pm EDT, Oct 27: Cephalic Carnage have unfortunately dropped off this tour. -Ed]

MetalSucks is proud to be teaming up with our pals at Metal Injection and Hails & Horns to bring you what we think is gonna be one of the most brutal tours of the year: the incredibly fucking awesome Exhumed are headlining, and support is coming from Goatwhore, Cephalic Carnage, and Havok. This is one of those rare package tours where there isn’t a bad band on the bill — it’s gonna be the kind of show where you’ll wanna get there early to make sure you don’t miss a minute. There’s just absolutely no way that these shows will be anything less than insane.

Seriously, do NOT miss this tour — you’re gonna feel like a damn fool if you do. Dates are after the jump!

Click to read more…

Photo by Alison Webster

This month, brutal death metal trio Hate Eternal, led by producer/guitarist Erik Rutan, has been at the center of a pitched battle between MS co-lord Axl Rosenberg and MS writer-at-large Anso DF. The conflict? Is Hate Eternal’s forthcoming Phoenix Amongst The Ashes record awesomely killer (per Axl) or is it insanely ripping (per Anso)? Does it fuck the face and slam the nutz (Anso) or does it render each listener “so fucking happy to be alive” (Axl)? Can its production and performances better be described as a high watermark of contemporary metal (Axl) or as a gift from another realm to every living music listener (Anso)? Is Phoenix a shoo-in for metal album of the year (Axl) or does it crush every other record on earth (Anso)?

Welcome to our love war.

When the time came to phone up Rutan for a discussion of Phoenix and other Hate Eternal affairs, we at MetalSucks opted to settle this battle of agreement with an interview conducted by both Axl Rosenberg and Anso DF. Unsurprisingly, Rutan took on the task with good humor and ease, only succumbing to confusion at times when Axl and Anso simultaneously rushed to hail Phoenix and its predecessor Fury & Flames. In its unexpurgated glory, we present our very special double-team interview of the great Erik Rutan.

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Did you know that Car Bomb vocalist Michael Dafferner’s day job is working as a satellite engineer? No, no I did not. Well, did you know that he also directed a documentary, [why_you_do_this], about how difficult and shitty it is to be a touring metal musician? No, no I did not know that, either. Yeah, well, neither did I, but apparently both facts are true.

[why_you_do_this] (it’s a statement, not a question asked by an immigrant) is going to make its premiere next week at the Queens World Film Festival (as in a world film festival which takes place in Queens, not a film festival which takes place on a world full of royal women), and even though I didn’t know about it until like ten seconds ago, it look pretty interesting — Dafferner interviewed all kinds of cool people, like Richard Christy, Randy Blythe, Joe Duplantier, and Ben Falgoust, all about the very simple question posed by the title. Or, perhaps a little less succinctly, this move could be called Holy Shit There is No Money to be Made in Metal and Touring Fucking Sucks, Why the Fucking Fuck Do You Keep Subjecting Yourself to this Crap? Which is a question every aspiring metal musician should ask him or herself, since the chances of making a living at playing music are only slightly better than the chances that you’ll be struck by lightning while receiving a wristie from Marilyn Monroe.

ANYWAY, the movie premieres at the aforementioned film festival on Friday, March 4, at 7:00pm EST at The Renaissance Auditorium (81^st Street & 37^th Ave) in Jackson Heights, NY. You can get more details, as well as tickets, here; you can also watch the trailer here and a clip here (they’re not embeddable… I guess they’re trying to keep the film a secret). I don’t think I can make it ’cause I’ll be on an airplane just hours prior, but if anyone goes, please let me know how it is. Hopefully this thing will get a DVD release or something soon so the rest of us can check it out.

Also, the press release says that Car Bomb are working on new music. That’s what they told me in 2008, too, but maybe we’ll actually get a new album before I turn eighty.

-AR

The record release season is now in full swing. New albums by Motorhead, Crowbar and Belphegor stand out today in a week that’s got some other relatively high-profile metal releases coming out as well. After the jump, Vic Vaughn slices and dices them all.

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