MIGHT THERE BE A SUITABLE VELVET REVOLVER FRONTMAN HIDDEN IN THE TRACKLISTING OF SLASH’S SOLO ALBUM?
Friday, November 20th, 2009 at 12:00pm by Gary Suarez
All this talk about Slash’s upcoming solo album has got me playing “Fantasy Velvet Revolver” in my head once again. Though I still hold out hope that Axl’s idea of having Perry Farrell front the band comes to fruition, I know in my heart that there’s probably a better chance of Scott Weiland rejoining the band, which is admittedly a pretty remote possibility. Remote like Siberia.
So looking through the list of vocalists purportedly gracing the axeman’s new record, I see a number of qualified albeit unlikely candidates to fill Weiland’s still-vacant spot. Yeah, it would be a heavy music lover’s dream to have Ozzy Osbourne sing for the band, considering the craptastic nature of his last few solo albums. Realistically, that would be an unholy managerial nightmare with the potential capacity to yield a catastrophic clusterfuck to put the legal woes of Black Sabbath and Guns N’ Roses to shame. Dave Grohl’s too busy counting his money and playing geriatric rock with his idols to commit to yet another band. These days, Alice Cooper and Lemmy Kilmister have the commercial drawing power of, well, Alice Cooper and Lemmy Kilmister, and maybe would shift a few more units than a Velvet Revolver fronted by an unknown (anyone remember Eric Dover or Rod Jackson?) or that dude from Spacehog. Don’t even get me started on Fergie.
One other name on that list, however, actually makes sense…




Let me begin by saying that I thoroughly enjoy Timbaland. His work with Ludacris, Jay-Z, and especially Missy Elliot has yielded great, forward-thinking results for his genre of choice. Yes, metal faithful, I think Justin Timberlake’s work with him is damn fine pop music as well. However, Timbaland’s best work has been within the confines of pop music, and I have yet to have a problem with that. His first foray into rock – or rock music as I (and many others, in that his work with No Doubt, Duran Duran, and OneRepublic haven’t exactly strayed far from the bands’ roots) know it is a spectacular, bordering on legendary, misfire. Chris Cornell – Soundgarden’s former golden-throated front man that has spent the better part of this decade coasting with Audioslave – picked perhaps the worst partner for his gravelly shout on his latest (even terribly titled) solo album, Scream. And though I am far from one to decry someone’s sense of artistic exploration, I must say that this one is hilariously misguided. The only thing keeping this album from being a so-horrifically-bad-it’s-good triumph is the familiar sound of Cornell’s shriek over a terribly mismatched backing track, a ploy seemingly utilized for the sake of a desperate stab at commercial relevancy. He’s a long way from Louder than Love, Badmotorfinger, and Superunknown, and it’s hard to see how he’d be able to make his way back.
As threatened previously
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