If Horatio Alger were alive today, he’d be tempted to write about Slayer. Defying logic, popular fads and the moral majority, the band is an American thrash-to-riches story, having not just survived, but thrived on a regimen of non-compromise. Future musicologists will no doubt struggle to explain how four guys from Huntington Park forced Reign in Blood down the world’s collective throat, then went on to sell millions of records, win two Grammys, and amass a huge, rabid fanbase. And does any other band have a holiday dedicated to them?

As the curtain closes on their third decade in the music business, Slayer’s Dave Lombardo was good enough to shoot the proverbial shit with MetalSucks when the American Carnage Tour stopped in St. Paul, MN. Read the full transcript of our chat after the jump.

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We might not be getting a full-on sequel to D.X. Ferris’ amazing book (which now has a Facebook page!!!) about both the making and meaning of Slayer’s Reign in Blood, but writing for Cleveland Scene, he did recently get to sit down with one Mr. Tom Araya and get a track-by-track breakdown of Seasons in the Abyss, the album that I know many consider to be superior to Reign, and which Slayer is now performing in its entirety as part of the American Carnage tour they’re doing with Megadeth and Testament. (I don’t mind telling you that Seasons was actually the first Slayer album I ever owned; an older kid lent it to me by way of saying “This is the first Slayer album you should check out, noob,” and I never returned it.)

Here’s an excerpt… this is Araya discussing “Hallowed Point,” a song that still demands I stop and headbang every time I hear it:

“That’s a kind of bullet — hollow points. It’s about a gun and what guns do to a body. It can turn flesh into confetti. It’s about the motivations to use a gun. People ask, ‘Is it an anti-gun song?’ No. ‘Is it a pro-gun song?’ No. Guns are dangerous. But I’m not an anti-gun [advocate]. I’m a gun owner.”

If you love Seasons in the Abyss as much as any carbon-based lifeform ought to, you need to read the rest of this interview. Check it out here.

-AR

So I feel like we’ve been talking about this Slayer/Megadeth tour FOR-EV-ER, and last night I finally got to see it. And despite my usual cynical instincts telling me that it might very well end up being a major disappointment, I gotta say… I had a really, really fun time.

Testament were great. That’s not really a surprise or anything — Testament have been great, Testament will be great, and if all else failed, I never really doubted for a second that they’d put on a killer show. If I don’t have much else to say about them, it’s because there was never really any suspense with regards to whether or not they’d be good. (But be advised: they went on shortly before 7 pm, so get to the venue early to make sure you don’t miss ‘em. There were far too many people not yet at the venue when they played, which was a damn shame.)

Megadeth… well, there’s really only one problem with Megadeth: Mustaine’s voice sucks. Like, at a James Hetfield level of suckitude — actually, he might sound worse than Hetfield, who can at least stay on-key or close-enough for 60% of the time. (Mustaine was almost on-key during an encore of “A Tout Le Monde,” and that was about it.) I seriously had to tune out Mustaine’s voice just to enjoy the music. He can still play guitar like nobody’s business, it’s great to have Ellefson back, and if we’re not gonna have Marty Friedman and Nick Menza in the band, than Shawn Drover and Chris Broderick are about as good as it’s gonna get, replacement-wise. But Mustaine’s vocals… it’s just embarrassing, man.

And then there was Slayer.

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Welcome to “Question of the Week,” a (sometimes) weekly debate amongst the MetalSucks staff regarding a recent hot button issue.

Inspired this week by the rumor that Aerosmith’s Steven Tyler may be a new judge on American Idol, we decided to ask our writers:

IF YOU HAD TO PICK ONE METAL MUSICIAN TO BE A JUDGE ON AMERICAN IDOL, WHO WOULD IT BE AND WHY?

The MS staff’s answers after the jump.

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Hey Suckfaces, the Big Four live in Sofia, Bulgaria concert/movie thingy has encore showings tomorrow in select markets and you should totally go! It’s the most fun ever. Even if you’re lukewarm on a band/the bands, the theater-going experience is novel and pretty easy to like. It’s communal (like a concert) and comfortable (good for old people who listen to the Big Four). Plus, the little things: set breaks are excised; the audio is that Live Aid quality which disguises not even the smallest flub or shortcut, almost sickeningly real; close-ups of guitar shredding abound; and mosh pits are way more fun in a movie theater.

But if you just can’t make it to this exciting cinema-concert event cuz you’re in jail still from the Lakers celebration parade or you’re a piteously ugly John Bush fan or whatever, here’s what you’ll miss:

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“Beauty Through Order” might not have been my first choice for the next single off of Slayer’s World Painted Blood, but I am really digging this video. I don’t know that I understand what the concept is in relation to the song, but it’s still a memorable clip – it’s like a really fucked-up version of one of those James Bond title sequences with all the silhouettes of naked ladies. And while I’m sure that Tom Araya’s recent back surgery had something to do with the band not appearing in the clip, it’s worth noting that it’s the second time Slayer have sat out their own video, and that both this and “Eyes of the Insane” further my thesis that a video without the group can still be a really cool video.

-AR

At least half of the bands playing metal today owe huge debts to D.R.I. — also known as Dirty Rotten Imbeciles — even if the band was an indirect influence. Slayer’s Jeff Hanneman was an early fan, and Kerry King had written off punk as just some noisy bullshit before he discovered the group. Prior to the Massive Aggressive LP, Municipal Waste records were essentially D.R.I. albums. If you dig the Waste and don’t know D.R.I., shame on you. Proceed directly to iTunes or eMusic to catch up on the catalog. It’s a hardcore history lesson.

For a metal audience, D.R.I.’s Crossover is a good place to start. Beer City Records will release an expanded, remastered Millennium Edition of the album on April 13. (It’s already available on iTunes.) A lot of people with credible taste consider it the band’s signature record. I won’t say it’s their worst, but it’s definitely my least favorite — and trust me, I like D.R.I. more than the next guy. They’re gods and should be treated as such. The bonus material makes the reissue a must-have, even if you think the proper LP blows dog.

Crossover is D.R.I.’s Black Album. It was the band’s breakthrough release. But all D.R.I.’s signature elements were M.I.A. Song lengths changed drastically. Rumbling, raw production was replaced with a big-rock sound. Frontman Kurt Brecht’s lyrics were on a downswing. D.R.I. had a new direction. Some fans love the record. Some fans hate it.

One of the Millennium Edition’s eleven bonus tracks is a wicked live version of “Five Year Plan” that starts with an intro which identifies the group as “one of the hardest metalcore bands ever to come out of the Bay Area.” Now that’s old, old footage, and “metalcore” meant something very different then. Everybody was still figuring it out, and if you wanted to know where heavy music was going, D.R.I. was one of the bands to watch.

“Five Year Plan” live video

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Guess what Tom Araya won’t be doing any time soon?

I’ve seen Slayer live many, many times, and I can pretty much tell you that, on-stage, Tom Araya only does one of two things:

1. He sings and plays.
2. He headbangs and plays.

Okay? I’m not giving him or Slayer shit because I love them more than I love some of my blood relatives, but the guy ain’t exactly Greg Puciato. His performance style is fairly simple, but it works for him, mostly, I imagine, because he’s the front man for SSSSSLLLLAAAAYYYYEEEERRRRR!!!!

Unfortunately, it seems that Araya will now have to amend that list so that it reads as follows:

1. He sings and plays.
2. He does his best impersonation of Mick Mars.

For he revealed during a recent Noisecreep “Creep Show” podcast…

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Look, let’s face it. Your Slayer shirt has seen better days. Yes, everyone agrees that the pentagram is badass, but the thing is faded worse than a worn out dishrag. And honestly, it’s full of holes and even after washing it smells like sweat. Don’t become one of those creepy hoarder people, man. Buy a new shirt — one that will impress your pals and maybe even a woman or two! (OK, that last part was hyperbole.)

Leave it to another metal band to come up with the gem you see above. That’s right, it reads Tom Araya Is Our Elvis! The responsible parties are weirdo jazz metal artists Zu and the record label Public Guilt, who’s releasing both this shirt as well as a vinyl reissue of the band’s 2005 album The Way Of Animal Powers. Buy both here.

-GS

No one can fault Dave Mustaine for putting together a tour in lieu of the stillborn American Carnage trek. But as always the Megadeth frontman aims for maximum annoyance and as such his new tour is a brazen approximation of Carnage minus Slayer. As a member of Slayer, Kerry King must be distressed to find that there’s a nearly identical alternative to his tour on the market — complete with Testament and Exodus, for a total of three thrash metal greats, just like Carnage — that’s sure to distract ticket-buyers and cool walk-up sales. And in light of the recent King-Mustaine cuddlefest at T.G.I.Friday’s, one could argue it’s yet another of Mustaine’s unconscionable and self-destructive backstabbings, at which he is only second to Eddie Van Halen in proficiency. (Unlike lead guitar playing, at which Mustaine is second in proficiency to dozens. Cheap shot alert!)

To make matters worse, ‘Staine and Megadeth will use the new tour to celebrate their last great record, Rust In Peace, y’know, to add a sack-tap to this already historic cockblock. So it was already getting silly by the time the announcement came yesterday that Megadeth’s only other real member, the embittered former Mustaine bum chum David Ellefson, he of history’s greatest metal bass performance and reams of anti-Mustaine bitching, would return to the pasty creases of the Mus-taint for bass duties on the big tour. Yet more juice for the non-Slayer shows. What’s next, the return of RiP guitarist Marty Friedman? (Um please?)

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Following its postponment last month due to Tom Araya’s need for back surgery, Megadeth, Slayer and Testament have re-scheduled the dates for their American Carnage Tour. The shows will now take place this summer, which strikes me as somehow more appropriate… I don’t know why. I’d just rather go watch these three bands in warm weather than nice-to-mediocre weather.

And, uh, that’s it I guess. Get the new dates after the jump!

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The metal community has been using the phrase “It’s their best album since…” a lot as of late. As though spurred on by the nineteen year old kids who now play the music they created better than they do, the Elder Statesmen of Thrash – or EST – have been enjoying a renaissance.

But here’s what sets Slayer apart from the pack: while you could certainly say that “World Painted Blood is Slayer’s best album since Season in the Abyss” and be telling truth, you could have said “It’s their best album since Seasons in the Abyss” about any album since Diabolus in Musica and been telling the truth. Slayer didn’t only just recently get awesome again – they really never stopped being awesome, despite what the scene snobs might have you believe.

But World Painted Blood finds Slayer sounding even more like the band that created the Holy Trinity than Christ Illusion did, so people are even more excited about than they were about that last offering. And there’s nothing wrong with that.

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It’s Labor Day weekend here in the U.S., which means we’re shuttering the Mansion early this week, and won’t be back ’til Tuesday. We’re sure you’ll find some way to live without us.

Here’s some shit that happened this week:

• We debuted a new track from Salome.
• Sigh’s Mirai Kawashima sent in his final guest-blog from the studio, and revealed the track listing for the band’s upcoming album, Scenes from Hell.
• We chatted with Trivium’s Matt Heafy, The Black Dahlia Murder’s Trevor Strnad, Job for a Cowboy’s Brent Riggs, and All That Remains’ Phil LaBonte.
• We celebrated the triumphant return of Beavis & Butt-Head, and decided that in their particular relationship, Vince is the Beavis to Axl’s Butt-Head.
• Tom Araya thinks Dave Mustaine is a dick, Kerry King thinks Dave Mustaine is a dick, Scott Ian thinks Kerry King is a dick, and everyone in Dimmu Borgir thinks that everyone else in Dimmu Borgir is a dick.

Alright. I’m going to enjoy a little sunshine while I still can. See ya Tuesday!

-AR

When we interviewed Tom Araya a few weeks back, I asked him if the Megadeth/Slayer tour that hit Canada earlier this year and will now make its way to Australia and New Zealand is ever coming to the States. His response?

“You know, [Dave Mustaine is] lucky we did the Canadian dates.”

Araya chuckled when he said it – the dude is too chill to really get angry angry, or at least that was my impression of him – but there was obviously some bad blood there. Shit-stirrer that I am, I made a feeble attempt to draw more ire out of Araya, with no love.

So kudos to Mark Eglinton from The Quietus, who Blabbermouth tells me got this little exchange out of Araya:

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Tom Araya needs no introduction. Seriously. We’re not introducing him. If you don’t know who he is, you have no business reading this website. Axl recently found out that our intern had never listened to Slayer, and you know what he did? First he got all the MetalSucks Mansion Monkeys to throw feces at the intern, and then he locked the intern in a room and made him listen to Slayer’s entire discography for days and days on end.

We will tell you this: Araya is a very chill, jovial dude; Slayer have a new album, World Painted Blood, coming out in October; and we successfully managed to make it through this interview at Mayhem Fest without peeing ourselves or dropping to our knees and shouting “WE’RE NOT WORTHY! WE’RE NOT WORTHY!” Although it was a struggle.

Our full chat with Araya after the jump.

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I picked up my copy of The New York Times this morning – yes, I still sometimes read a physical newspaper, ’cause I’m a dick like that – and was more than a little surprised to see Tom Araya’s photo alongside that of some distinctly non-metal performers on the front page of the arts section. Intrigued, I read the following:

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We got to interview Tom Araya at Mayhem this past Friday, and once we got past the initial fanboy “HOLY SHIT IT’S TOM ARAYA PEE” shakes, I think we actually got some pretty decent questions in – including asking Mr. Araya when the Slayer/Megadeth tour that’s already played Canada and will soon be decimating Australia and New Zealand is coming to America. His response?

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Oh boy. Here we go again.

Kerry King loves to talk shit. He loves to talk shit so much you’d think he writes for MetalSucks (Kerry, if you’re reading this, please come write for MetalSucks.). The man just cannot be stopped. Dave Mustaine, Machine Head, Metallica – all have been victims of his razor-sharp tongue.

His latest casualty: Killswitch Engage, who are out on the road with Slayer right now as part of Mayhem.

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Let’s cut right to the quick: there’s a new Slayer song, the snappily titled “Hate Worldwide,” which you can listen to here. My first impression of the track, which was written by Kerry King, is that it’s an awfully good Slayer song, although not as good as “Psychopathy Red,” which blew the fucking flesh off of my face the very first time I heard it. Still, that’s an evil fucking riff in this new track, so it even if I think its the inferior of the two, it doesn’t exactly take the wind out of my sails in terms of my high, high hopes for the new Slayer album, World Painted Blood.

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Is “Psychopathy Red” the best Slayer song of the post-Seasons in the Abyss era? I s’pose that’s open to Jaeger-fueled debate – I’m still kinda partial to “Disciple” myself – but any way you cut it, it certainly does rule, and serves, to my mind at least, as example number 8 gazillion why Slayer are so vastly superior to so many of their peers.

So. Saturday, April 18 is Record Store Day, which, in case you don’t know, is pretty much what it sounds like – a day meant to “celebrate” (a.k.a. “get shoppers into”) record stores, or, more specifically, independent record stores. Slayer’s contribution to the day: a limited to 5,000 pressings only 7-inch vinyl of “Psychopathy Red.” A press release gives more details:

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