Posts Tagged ‘Celtic Frost’


CELTIC FROST REUNITE, HIT THE BAR MITZVAH CIRCUIT

Monday, January 30th, 2012 at 3:00pm by

Celtic Frost

We can’t say we saw this one coming, but with former Satan-worshipping metal musicians left and right claiming to have found God I guess we shouldn’t be that surprised; Tom G. Warrior has reunited Celtic Frost to play a one-off gig at the Bar Mitzvah of one lucky Shlomo Needlebaum. The website Tyranny of Tradition has the exclusive news break:

At first, Thomas Gabriel Warrior (or Fischer, as most adults like to call him) was dead set against the idea.  However, the chance to help a fan like Shlomo start the exciting journey into adult life along with a check for 50,000 dollars helped Warrior change his tune.  Warrior’s love of the traditions of Judaism were also a major influence on his decision.  “I have always had a special place in my heart for the Jewish people and particularly their traditions,” said Warrior decked out in corpse paint and a yarmulke before he strode on stage, “I often think of the great quote by the German poet Berthold Auerbach who said ‘Judaism lives not in an abstract creed, but in its institutions’.  UGH!”

In other news, Daves Mustaine and Ellefson are said to be catering the event with their propriety recipes for latkes, kugel, brisket, and smoked salmon they cure themselves in Megadeth’s rehearsal space. The Bar Mitzvah is BYOM (Bring Your Own Manischewitz).

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VAN MOSH: GRIM KIM’S COC/CLUTCH TOUR PLAYLIST

Wednesday, August 3rd, 2011 at 2:30pm by

There are many awesome things about touring. You get to see new places, make new friends, hang with old ones, get free booze (sometimes), develop sweet guns from lugging gear around (Seriously, you should see my biceps. I’m straight-up Amazonian by this point.), make a little money (sometimes) and, if you’re lucky, get to listen to bands you love play every night (or, barring that, make fun of the shitty opening bands who never got the memo that 1999 is dead and gone, and that ripping off Pantera isn’t nearly as great an idea as it sounded when they came up with it in their PBR-scented basements).

One of the things that sucks most about touring, though, is that you almost never have a moment to yourself. You have free time, sure, but you’re generally always in or around the company of your bandmates, road crew, or just, like, dudes. It’s tough to get a moment alone to sit down and write, but I always do my best to sneak off and get shit done. That being said, it’s been more hectic that usual this time around, and instead of gushing at length about the latest EP from Invidious or mourning the sold-out status of the live Blasphemophagher/Diocletian tape, I’m going to give you guys a peek into what I’ve been jamming these past few weeks on the road with Corrosion of Conformity and Clutch. Some songs are the result of Woody Weatherman’s DJing bouts, some are favorites from the sets I see every night, some remind me of home/loved ones, and some are just fucking rad.

 

CLUTCH – “Profits of Doom” (Blast Tyrant, 2004)

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QUESTION OF THE WEEK: IF YOU COULD GO BACK IN TIME AND PLAY ANY METAL BAND/MUSICIAN SOME OF THEIR MUSIC AND/OR SHOW THEM PHOTOS/VIDEOS OF THEMSELVES FROM THEIR FUTURE, WHO WOULD IT BE AND WHY?

Friday, July 22nd, 2011 at 4:20pm by

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Welcome to “Question of the Week,” a (not really at all) weekly debate amongst the MetalSucks staff regarding a recent hot button issue.

We haven’t done one one of these all summer, but we came up with a fun one for this week:

IF YOU COULD GO BACK IN TIME AND PLAY ANY METAL BAND/MUSICIAN SOME OF THEIR MUSIC AND/OR SHOW THEM PHOTOS/VIDEOS OF THEMSELVES FROM THEIR FUTURE (OUR PRESENT), WHO WOULD IT BE AND WHY?

The MS staff’s answers after the jump.

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AWESOME CORONER INTERVIEW IS AWESOME

Tuesday, June 21st, 2011 at 3:40pm by
The men of Coroner, with Kreator (shirtless and far left) around 1985

Coroner made a few of metal’s great records and that is impressive in light of our genre’s high failure rate. So when Coroner members talk, I listen. ‘Cuz hey I’d like to know what kind of people can conjure six sides worth of significant, singular, distinctive metal. That amounts to roughly thirty awesome jamz (and other great and good ones uh onez); compare that to zero and counting from fundamentally sound but horrible bands like the one whose name rhymes with lithium.

Anyway, fuck I’m wearing out your eyes with blather when you should already be rushing over to ASCAP’s official site to find the fucking awesome Q&A with Coroner drummer Marky Edelmann and bassist-rasper Ron Broder. Click to read more…

ALBUM OF THE DAY: CELTIC FROST, MORBID TALES

Thursday, April 14th, 2011 at 10:00am by

So, I don’t like all the Celtic Frost albums I’m supposed to as much as I should. I mean, don’t get me wrong: To Mega Therion? Awesome. Monotheist? Excellent return to form. Triptykon’s debut? Motherfucker’s still got it, gym pants, eyeliner and all. But they don’t hit me like a great album’s supposed to hit you. What does, though, is Morbid Tales. Raw and primitive but not apathetic and sloppy, it rides that line between doom, black metal, and thrash on a fleet of mammoths (well, mostly because none of those things really existed in earnest yet). So while they would go on to do more interesting things as well as hilarious things (Cold Lake, of course), to my ears, none of what the band did (and, who are we kidding, are doing with Triptykon) is nearly as fierce or, arguably, as satisfying as Morbid Tales.

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WELL, NOW THEY DONE N’ DID IT: J. BENNETT DEFENDS CELTIC FROST’S COLD LAKE

Wednesday, February 16th, 2011 at 2:00pm by

Even this little kid can’t believe this shit.

Ever since The Deciblog started their weekly “Justify Your Shitty Taste” column — in which writers and musicians attempt to defend the indefensible — we’ve been joking that it was only a matter of time until someone stood up for Celtic Frost’s Cold Lake.

Ladies and germs, that time has arrived.

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LIST OF METALCORE VIDEOS THAT ARE IN A GRASSY FIELD

Friday, January 28th, 2011 at 3:30pm by

This post will be very concise and to the point: The other day I realized that nearly all metalcore/screamo/post-hardcore videos take place in a grassy field, and I will use this space to list several examples. I don’t know if you have ever tried to make a Wikipedia entry, but it’s really hard because some pedantic nerd/ass hole/etc. will delete it in like two minutes (like when I tried to make a Wiki for wigger slam back in the day), so I feel like MetalSucks is the best venue to document this phenomenon.

[Thanks to tween expert/post-teenager Elise from Reign In Blonde for a couple of these examples]

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WHICH IS BETTER, BLACK METAL OR DEATH METAL???

Wednesday, November 10th, 2010 at 4:30pm by

Since the dawn of time over 9,000 years ago, man has achieved progress only by questioning himself, putting even his most basic assumptions to the test of rigorous, unforgiving critical analysis. Once upon a time, we believed that the sun revolved around the earth, all matter was made of four basic elements, and that Brujeria really were Mexican drug traffickers, but thanks to the tireless efforts of great thinkers like Galileo, Hobbes, and Hume, now we know better. In the same spirit of fearless intellectual honesty, I ask the readers of MetalSucks the following: which is the best, BLACK METAL or DEATH METAL???

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EXCLUSIVE FULL ALBUM STREAM: TRIPTYKON’S SHATTER EP

Tuesday, October 19th, 2010 at 2:00pm by

BADABOOM! We promised you more awesomeness from Triptykon today, and here it is: an exclusive stream of Shatter: Eparistera Daimones Accompanied, the new EP from the legendary Tom G. Warrior’s incredible new band, a full week before its October 26 release via Century Media. Featuring three previously-unreleased songs from the Eparistera Daimones studio sessions, plus two covers of classic Celtic Frost tracks recorded live during the band’s headlining set at The Netherlands’ Roadburn Festival this past April, Shatter is just more proof that Triptykon are now a major creative force in the metal world.

Stream the EP below, and then go pre-order yourself a copy. You can also check out the killer video for the title track here. And don’t forget that Triptykon are continuing their U.S. tour with 1349 and Yakuza through the end of the month; get remaining dates here.

[this streaming promotion has ended]

GO SEE TRIPTYKON AND 1349 LIVE

Monday, October 11th, 2010 at 11:00am by

Video by popas7

After Celtic Frost disbanded and Tom G. Warrior announced the formation of Triptykon, he assured fans that his new project  ”will sound as close to Celtic Frost as is humanly possible.” That wasn’t just self-serving hype: Triptykon is not Celtic Frost in name only.

Seeing Triptykon live highlights this fact: Their set last Thursday evening here in Manhattan (with co-headliners 1349, who, unfortunately, I missed) was dominated by songs spanning the entire spectrum of Celtic Frost’s catalog, including Morbid Tales (“Circle of Tyrants,” “Dethroned Emperor”), Into the Pandemonium (“Babylon Fell”), and Monotheist (“Synagoga Satanae”). Triptykon might have new members, but they’re not a new band; they’re Celtic Frost with a very intense-looking woman, Vanja Slajh, playing bass instead of a very intense-looking man, Martin Eric Ain.

And will due respect to Ain, you probably won’t miss him.

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LIVE NEAR TORONTO? GO SEE VINCENT CASTIGLIA’S NEW EXHIBITION

Tuesday, September 7th, 2010 at 11:30am by

You should all know who the artist Vincent Castiglia is. Earlier this year, he collaborated with no less a legend than H.R. Giger on the album art for Triptykon’s Eparistera Daimones, and anyone who has the approval of Giger and Tom G. Warrior should be aces in your book. But in case that’s not enough proof of Castiglia’s metal cred for you, check this out: dude paints exclusively in his own blood. I can’t think of anything more metal.

Of course, Castiglia’s choice of materials would just be a gimmick if he wasn’t also really, really talented. Castiglia’s work is insanely detailed — you have to get right up close to really appreciate it — really beautiful, and really, really fucked up. And I mean that as high praise.

If you live in or near Toronto, Castiglia is getting his first Canadian exhibition, Sacrifices For The Sanguinary Age, from September 10 through October 10 at Meta Gallery. He’ll also be giving a talk at the gallery this Saturday, September 11, from 1 – 3 pm. Like I said, the guy’s work is really stellar, so if you’re in a position to go, you totally should. This is a rare moment when I wished I lived in Toronto.

To be put on the preview list for this exhibition or for further information, email Jody Polishchuk at jp@metagallery.com.

-AR

A NEW TRIPTYKON EP ALREADY? SUH-WEET!

Tuesday, August 10th, 2010 at 4:30pm by

Triptykon’s debut, Eparistera Daimones, just came out earlier this year, and I imagine it will end up near the top of many year-end lists (including my own); but the band is doing a U.S. tour in October, and I guess in the name of having something brand-spankin’ new to promote (’cause some people can’t be bothered to remember what came out in February), they’ve announced that they’ll release a new EP, Shatter, via Century on October 26. It will consist of three previously unreleased tracks from the Eparistera Daimones recording sessions, plus live covers of the Celtic Frost classics “Circle of the Tyrants” and “Dethroned Emperor.”

And I’m sure the live covers will be great and all — I mean, Tom G. Warrior did write ‘em in the first place, so unless he went all Slash on us and added a rap section, it’s hard for me to see Triptykon fucking those up — but honestly, I’m just really, really super-stoked for the new original material. (Although I hated the demo version of one of those songs, “Crucifixus,” having heard how awesome the group ended up being, I’m willing to give the final recording of the track another chance.) I still listen to ED constantly, and the chorus of “A Thousand Lies”  (“DDDDDDDDDDIIIIIIIIIEEEEEE!!!!!!”) has become my strangle-a-hooker-to-death anthem of the year (not to be confused with my barfight anthem of the year, Lair of the Minotaur’s “Let’s Kill These Motherfuckers”). So, yeah, I will happily take three more songs… thanks!

-AR

TALKIN’ TRIPTYKON WITH TOM G. (WARRIOR) FISCHER

Thursday, March 18th, 2010 at 2:00pm by

After Celtic Frost’s Collapse, Tom Gabriel Fischer Hopes for a Drama-Free Third Act


As the visionary and front man of Hellhammer, Celtic Frost, and now Triptykon, Thomas Gabriel Fischer – the artist formerly known as Tom G. Warrior – has had his ups and downs. But the hipsters never got their dirty hands on him.

Emo kids do not wear ironic Celtic Frost shirts. Rivers Cuomo hasn’t name-checked the band in a smash single. After 23 years, the avant-garde metal band was an still an underground phenomenon – even though it was on a serious upswing — when they imploded after 2006’s Monotheist. That critically hailed album continued Fischer’s long tradition of mixing blacker-than-midnight extreme metal with unpredictable, sophisticated elements, like the all-strings instrumental “Winter (Requiem, Chapter Three: Finale).”

Celtic Frost went out on top, no doubt. It might be the most respected iconic metal band from the ‘80s. It’s definitely not the most popular act — but unlike Metallica, Slayer, and Megadeth, the group doesn’t have a countless contingent of full-time haters.

Granted, Frost made some missteps, real and perceived. 1988’s Cold Lake, the band’s major-label debut, is the heaviest hair-metal album ever recorded. Some fans flinched at experiments from the tail end of the decade, like a French spoken-word piece (“Tristesses de la Lune”), a rap interlude (“Human II”), and a techno track (“One in Our Pride”). But the seminal band helped make corpse paint and symphonic metal part of the extreme-music playbook. They ripped shit up, too, but it drove Fischer nuts when writers tried to classify Frost as part of the thrash movement.

Celtic Frost has few critics more frank than Fischer himself. The singer-guitarist wrote most of the lyrics and music, and was the only member of the band to appear on every release. He spent over three years making sure Monotheist was a worthy continuation of the Celtic Frost legacy. The tour should have been a victory lap, but it turned into a death march. Simmering tensions between Fischer and cofounder-bassist Martin Eric Ain came to a head on the road, and Warrior quit his own band in April 2008.

“I once made the mistake to continue Celtic Frost without Martin,” Fischer recently explained on the Triptykon forum. “It wasn’t Celtic Frost, in spite of the name, and the results were stunningly pitiful (to put it nicely). I will not repeat that mistake…. In 2005, Martin and I also signed an agreement which prohibits either one of us to continue as Celtic Frost without the other one.”

In short order, Fischer announced the formation of Triptykon, which he promised would “sound as close to Celtic Frost as is humanly possible.” Tracks from the band’s debut have been emerging over the last few month, and Eparistera Daimones will arrive in the States this Tuesday, March 23. Fischer and company make good on his promise.

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AN EXCUSE TO WRITE ABOUT TRIPTYKON

Wednesday, February 24th, 2010 at 1:30pm by

I’ve been looking for some reason – any reason – to write about Eparistera Daimones, the debut album from Tom G. Warrior’s new project, Triptykon. It’s been in constant rotation here at the Axl Annex ever since we received it a couple of weeks ago. This album RULES. Yesterday Cosmo Lee praised it for sounding “MASSIVE” and being a logical continuation of Celtic Frost’s Monotheist,” but I actually think it’s superior to Monotheist – it’s that fucking good.

The band has steadily been releasing some teaser videos, which are pretty lame and, unfortunately, don’t even hint at what a great record they’ve made. But the album’s March 23 release date (via Century Media) is closer than you think (it’s almost March already!!!), and I fear if I don’t post this, I’ll never have an excuse to tell you all to seek this bad boy out.

So don’t judge Eparistera Daimones by this video. Just trust me and get it when it comes out in a few weeks.

-AR

TRIPTYKON’S ALBUM ART LOOKS PRETTY COOL FROM A CERTAIN ANGLE

Monday, February 1st, 2010 at 1:30pm by

UPDATE: HEY, LOOKIT THAT! Here’s the cover in all its glory. My stupid original story after the jump.


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HAPPY NEW YEAR TO YOU: TRIPTYKON GET A RELEASE DATE

Monday, December 21st, 2009 at 2:30pm by

triptykon

Just a couple of weeks ago I was wondering if Triptykon, Thomas Gabriel Fischer’s post-Celtic Frost project, were ever gonna announce a release date for their debut album. I should have been more media savvy, though; the band didn’t release two new tracks just ’cause Tommy Boy wanted to share his art with you. There was an announcement in the works.

And that announcement has arrived, by way of e-mail press release! Hoo-ray! Here’s what that e-mail press release says:

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TRIPTYKON WILL WAX THAT ASS

Thursday, December 10th, 2009 at 4:30pm by

triptykon

It’s been well over a year since Thomas Gabriel Fischer announced he was leaving Celtic Frost and starting a new band, Triptykon, and there’s still no friggin’ album. And I fucking hated the first song the band released, “Crucifixus,” which was basically several minutes of droning seemingly designed to punish anyone hoping Triptykon might make actual music.

But now Mr. Fischer has bounced back with not one but two, count ‘em two, new Triptykon songs – “Abyss Within My Soul” and “A Thousand Lies.” And they totally redeem Tom G. Warrior for the awfulness that was “Crucifixus.”

These songs – which score right off the bat by being actual, y’know, songs – make good on Fischer’s promise that “Triptykon will sound as close to Celtic Frost as is humanly possible” and “will feature all the material I envisioned for the successor to [Celtic Frost's] Monotheist.” These tracks strikes me as very Monotheistical, and that can only be a good thing. Unless you’re a dick. Or deaf. In which case I apologize for calling you a dick. And wonder what you’re doing reading this site.

But I digress! Still no word on a release date for Triptykon’s debut, but hopefully we’ll get it sometime in 2010. In the meantime, check out the new shit here.

-AR

Thanks to Jason Beter for the tip!

NORWEGIAN SUPER TEAMS TO STORM WACKEN

Thursday, July 16th, 2009 at 4:00pm by

norway-flag

While Anthrax, Testament, Heaven and Hell and motherfucking Motorhead are among the most anticipated bands that metal pilgrims are converging on western Germany to see, it would appear that my favored people, those crafty Norwegians, also have a few things planned for the mayhem. While Enslaved will be appearing (and hopefully represented on a good stage, because you know they fucking deserve it) some others are teaming up with foreigners in combinations that are hard to ignore.

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THE DECIBLOG ASKS THE ALL IMPORTANT QUESTION: “WHAT IF BANDS WERE BEERS?”

Friday, February 13th, 2009 at 1:00pm by

This is pretty straightforward, and clearly someone on Decibel’s staff needs a few extra album reviews assigned to them to pass the extra time or something, but, hey, it made me giggle.

celticice2

For more, head over to The Deciblog.

-AR

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FUCK ROLLING STONE: WHO ARE THE GREATEST HEAVY METAL SINGERS OF ALL TIME?

Monday, November 24th, 2008 at 1:59pm by

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(Rolling Stone ballot filled out by James Hetfield of Metallica.)

I just finished reading the latest issue of Rolling Stone (#1066/11.27.08) which has a cover story entitled “The 100 Greatest Singers of All Time.” Not surprisingly, the metal contingent representation is dismal. Oh sure, they tapped several genre luminaries to place their votes including Ian Astbury, Sebastian Bach, Alice Cooper, Chris Cornell, Ronnie James Dio, Sammy Hagar, James Hetfield, Tony Iommi, Maynard James Keenan, Geddy Lee, Peter Mensch (Q Prime Mgmt – Metallica, Queensryche), Ozzy Osbourne, Iggy Pop, and Scott Weiland, but what about the actual list? How many metalheads (or at least “rockers”) made the final cut?

Here are the pathetic results:

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