NEILSTEIN SOUNDSCAM: OPETH CELEBRATE THEIR HERITAGE
Wednesday, September 28th, 2011 at 1:00pm by Vince NeilsteinThe “Top Hard Music” Chart I’ve been using for this column for the past couple of years is a mixed bag; on one hand, a lot of the “Top Hard Music” albums are really old albums that continue to sell (Metallica’s Black Album, various greatest hits collections, catalogue albums of whatever big band happens to be on tour at the time, etc) which paints a skewed picture of what I’m really interested in, namely the new stuff. On the other hand, it’s interesting to see how those older albums continue to sell.
I was recently alerted to the existence of a different chart, “Current Hard Music;” I’m not sure what the criteria is for what constitutes “Current” as some albums on this chart have been on for 90+ weeks and some artists are certainly not “current” by any means, but it does seem to paint a much better picture of the sales of newer albums. Without perrenial classics and greatest hits comps hogging up precious chart space, fewer units need to be sold for a band to get into the Top 100 on the “Current” chart. I am contemplating a move to focusing on that chart in the future. For now, I’ll stick with Top Hard Music with some added albums from the bottom of the other chart. What do you guys think?
Anyway, this week we’ve got big debuts from Pearl Jam and Opeth, big second week drops from a number of artists (Anthrax, Dream Theater and more) that still have pretty big sales numbers, and a look at some albums that came out earlier this year (Black Dahlia Murder, All Shall Perish, more).






Announced with fanfare in the opening minutes of New Years Day 2010, the return of Soundgarden was supposed to redeem Chris Cornell’s tarnished legacy in the aftermath of the Timbaland-produced bomb Scream. Unfortunately, the grunge superstars have to-date spent their so-called reunion trying to sell repackaged collections of previously released music sprinkled sparsely with studio outtakes and ultimately playing fewer concerts than I can count on one hand.

Ah, our good old friends Grunge and Alternative, those bastions of ’90s rock nostalgia. Are they one in the same? Did they start out meaning different things but over time come to mean the same? At some point in ’92 we started hearing both of these terms bandied about in equal measure to describe the crop of bands emerging from the Seattle scene and their ilk, but over time these words seem to have lost all meaning. What the hell is “grunge” music anyway? And for that matter, what the fuck is “alternative”?
Yeah, I know — Ten was Pearl Jam‘s biggest to do, their entrĂ©e into the world of rock, but this opening track off of Vs., the second offering, is (in my humble opinion) one of their most rockin’, and — dare I say — metal? Okay, that’s probably an overstatement, but it’s still a damn fine, get-you-goin’ kinda song.