Posts Tagged ‘THOMAS GABRIEL FISCHER’


ALBUM OF THE DAY: CELTIC FROST, MORBID TALES

Thursday, April 14th, 2011 at 10:00am by

So, I don’t like all the Celtic Frost albums I’m supposed to as much as I should. I mean, don’t get me wrong: To Mega Therion? Awesome. Monotheist? Excellent return to form. Triptykon’s debut? Motherfucker’s still got it, gym pants, eyeliner and all. But they don’t hit me like a great album’s supposed to hit you. What does, though, is Morbid Tales. Raw and primitive but not apathetic and sloppy, it rides that line between doom, black metal, and thrash on a fleet of mammoths (well, mostly because none of those things really existed in earnest yet). So while they would go on to do more interesting things as well as hilarious things (Cold Lake, of course), to my ears, none of what the band did (and, who are we kidding, are doing with Triptykon) is nearly as fierce or, arguably, as satisfying as Morbid Tales.

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QUESTION OF THE WEEK: SPECIAL THANKSGIVING EDITION

Wednesday, November 24th, 2010 at 2:00pm by

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Welcome to “Question of the Week,” a (sometimes) weekly debate amongst the MetalSucks staff regarding a recent hot button issue.

Tomorrow is Thanksgiving, which means we’re taking off early today and won’t be back ’til Monday. We’re sorry to leave non-American readers high n’ dry, but PLUS ONE FOR FREEDOM, MOTHERFUCKERS.

ANYWAY, in honor of the holiday, we decided to do a special Turkey Day-themed QOTW designed to make you feel all warm and cuddly inside:

WHAT (IN METAL) ARE YOU THANKFUL FOR?

The MS staff’s answers after the jump.

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EXCLUSIVE FULL ALBUM STREAM: TRIPTYKON’S SHATTER EP

Tuesday, October 19th, 2010 at 2:00pm by

BADABOOM! We promised you more awesomeness from Triptykon today, and here it is: an exclusive stream of Shatter: Eparistera Daimones Accompanied, the new EP from the legendary Tom G. Warrior’s incredible new band, a full week before its October 26 release via Century Media. Featuring three previously-unreleased songs from the Eparistera Daimones studio sessions, plus two covers of classic Celtic Frost tracks recorded live during the band’s headlining set at The Netherlands’ Roadburn Festival this past April, Shatter is just more proof that Triptykon are now a major creative force in the metal world.

Stream the EP below, and then go pre-order yourself a copy. You can also check out the killer video for the title track here. And don’t forget that Triptykon are continuing their U.S. tour with 1349 and Yakuza through the end of the month; get remaining dates here.

[this streaming promotion has ended]

SPECIAL SATURDAY MORNING INTERVIEW: YAKUZA’S BRUCE LAMONT

Saturday, October 16th, 2010 at 10:00am by

Photo by Chris Roo

Back in August, I got a chance to talk with Yakuza front man Bruce Lamont about all things Yakuza, his band’s stellar new album, Of Seismic Consequence (which is a contender for this curmudgeon’s year-end “Best Of” list), his upcoming side projects and collaborations, his other fellow musicians from the Windy City, and Yakuza’s then not-yet-announced tour with Triptykon and 1349 — a tour that is now under way.

Unfortunately, then the Bob Cock penchant for procrastination kicked in. But whilst Yakuza are still in the midst of the aforementioned tour (get dates here), I present you with the always charming Mr. Lamont’s take on…well, just about anything he’s involved in nowadays – including an upcoming solo album.

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GO SEE TRIPTYKON AND 1349 LIVE

Monday, October 11th, 2010 at 11:00am by

Video by popas7

After Celtic Frost disbanded and Tom G. Warrior announced the formation of Triptykon, he assured fans that his new project  ”will sound as close to Celtic Frost as is humanly possible.” That wasn’t just self-serving hype: Triptykon is not Celtic Frost in name only.

Seeing Triptykon live highlights this fact: Their set last Thursday evening here in Manhattan (with co-headliners 1349, who, unfortunately, I missed) was dominated by songs spanning the entire spectrum of Celtic Frost’s catalog, including Morbid Tales (“Circle of Tyrants,” “Dethroned Emperor”), Into the Pandemonium (“Babylon Fell”), and Monotheist (“Synagoga Satanae”). Triptykon might have new members, but they’re not a new band; they’re Celtic Frost with a very intense-looking woman, Vanja Slajh, playing bass instead of a very intense-looking man, Martin Eric Ain.

And will due respect to Ain, you probably won’t miss him.

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LIVE NEAR TORONTO? GO SEE VINCENT CASTIGLIA’S NEW EXHIBITION

Tuesday, September 7th, 2010 at 11:30am by

You should all know who the artist Vincent Castiglia is. Earlier this year, he collaborated with no less a legend than H.R. Giger on the album art for Triptykon’s Eparistera Daimones, and anyone who has the approval of Giger and Tom G. Warrior should be aces in your book. But in case that’s not enough proof of Castiglia’s metal cred for you, check this out: dude paints exclusively in his own blood. I can’t think of anything more metal.

Of course, Castiglia’s choice of materials would just be a gimmick if he wasn’t also really, really talented. Castiglia’s work is insanely detailed — you have to get right up close to really appreciate it — really beautiful, and really, really fucked up. And I mean that as high praise.

If you live in or near Toronto, Castiglia is getting his first Canadian exhibition, Sacrifices For The Sanguinary Age, from September 10 through October 10 at Meta Gallery. He’ll also be giving a talk at the gallery this Saturday, September 11, from 1 – 3 pm. Like I said, the guy’s work is really stellar, so if you’re in a position to go, you totally should. This is a rare moment when I wished I lived in Toronto.

To be put on the preview list for this exhibition or for further information, email Jody Polishchuk at jp@metagallery.com.

-AR

A NEW TRIPTYKON EP ALREADY? SUH-WEET!

Tuesday, August 10th, 2010 at 4:30pm by

Triptykon’s debut, Eparistera Daimones, just came out earlier this year, and I imagine it will end up near the top of many year-end lists (including my own); but the band is doing a U.S. tour in October, and I guess in the name of having something brand-spankin’ new to promote (’cause some people can’t be bothered to remember what came out in February), they’ve announced that they’ll release a new EP, Shatter, via Century on October 26. It will consist of three previously unreleased tracks from the Eparistera Daimones recording sessions, plus live covers of the Celtic Frost classics “Circle of the Tyrants” and “Dethroned Emperor.”

And I’m sure the live covers will be great and all — I mean, Tom G. Warrior did write ‘em in the first place, so unless he went all Slash on us and added a rap section, it’s hard for me to see Triptykon fucking those up — but honestly, I’m just really, really super-stoked for the new original material. (Although I hated the demo version of one of those songs, “Crucifixus,” having heard how awesome the group ended up being, I’m willing to give the final recording of the track another chance.) I still listen to ED constantly, and the chorus of “A Thousand Lies”  (“DDDDDDDDDDIIIIIIIIIEEEEEE!!!!!!”) has become my strangle-a-hooker-to-death anthem of the year (not to be confused with my barfight anthem of the year, Lair of the Minotaur’s “Let’s Kill These Motherfuckers”). So, yeah, I will happily take three more songs… thanks!

-AR

YOU SHOULD NOW BE THAT MUCH MORE EXCITED FOR THE NEW 1349 ALBUM

Tuesday, March 30th, 2010 at 10:00am by

This is probably old news that I completely missed by not reading a press release carefully enough, but apparently Tom G. Warrior was a producer on 1349′s new album, Demonoir. Now, you should already be stoked that 1349 have a new album coming out – even if the album somehow sucks, these guys will have to tour behind it, and 1349 put on a really fun show. (And I recognize that this very grim band probably wouldn’t want their concerts categorized as “really fun,” but, y’know, I had a good time and maybe even smiled when I saw them live. Sue me.)

But I doubt the album will suck, and the presence of Warrior (or, ahem, Fischer) is that much more reassuring. Celtic Frost’s Monotheist was the shit, and honestly, I like Triptykon’s Title I Can Never Fucking Remember How to Spell Correctly even more. I’ve been cranking it a lot. It’s heavy, it’s epic, it’s atmospheric, and the production is top-notch. In other words: Tommy Boy is really on top of his game right now, and if he brought even just a wee bit of his mojo to 1349′s table, Demonoir will be that much better for it.

Demonoir comes out April 27 on Prosthetic. And if you haven’t yet read D.X. Ferris’ interview with Tom G. Warrior, you should go do that now. You’ll, like, learn stuff n’ shit.

-AR

TALKIN’ TRIPTYKON WITH TOM G. (WARRIOR) FISCHER

Thursday, March 18th, 2010 at 2:00pm by

After Celtic Frost’s Collapse, Tom Gabriel Fischer Hopes for a Drama-Free Third Act


As the visionary and front man of Hellhammer, Celtic Frost, and now Triptykon, Thomas Gabriel Fischer – the artist formerly known as Tom G. Warrior – has had his ups and downs. But the hipsters never got their dirty hands on him.

Emo kids do not wear ironic Celtic Frost shirts. Rivers Cuomo hasn’t name-checked the band in a smash single. After 23 years, the avant-garde metal band was an still an underground phenomenon – even though it was on a serious upswing — when they imploded after 2006’s Monotheist. That critically hailed album continued Fischer’s long tradition of mixing blacker-than-midnight extreme metal with unpredictable, sophisticated elements, like the all-strings instrumental “Winter (Requiem, Chapter Three: Finale).”

Celtic Frost went out on top, no doubt. It might be the most respected iconic metal band from the ‘80s. It’s definitely not the most popular act — but unlike Metallica, Slayer, and Megadeth, the group doesn’t have a countless contingent of full-time haters.

Granted, Frost made some missteps, real and perceived. 1988’s Cold Lake, the band’s major-label debut, is the heaviest hair-metal album ever recorded. Some fans flinched at experiments from the tail end of the decade, like a French spoken-word piece (“Tristesses de la Lune”), a rap interlude (“Human II”), and a techno track (“One in Our Pride”). But the seminal band helped make corpse paint and symphonic metal part of the extreme-music playbook. They ripped shit up, too, but it drove Fischer nuts when writers tried to classify Frost as part of the thrash movement.

Celtic Frost has few critics more frank than Fischer himself. The singer-guitarist wrote most of the lyrics and music, and was the only member of the band to appear on every release. He spent over three years making sure Monotheist was a worthy continuation of the Celtic Frost legacy. The tour should have been a victory lap, but it turned into a death march. Simmering tensions between Fischer and cofounder-bassist Martin Eric Ain came to a head on the road, and Warrior quit his own band in April 2008.

“I once made the mistake to continue Celtic Frost without Martin,” Fischer recently explained on the Triptykon forum. “It wasn’t Celtic Frost, in spite of the name, and the results were stunningly pitiful (to put it nicely). I will not repeat that mistake…. In 2005, Martin and I also signed an agreement which prohibits either one of us to continue as Celtic Frost without the other one.”

In short order, Fischer announced the formation of Triptykon, which he promised would “sound as close to Celtic Frost as is humanly possible.” Tracks from the band’s debut have been emerging over the last few month, and Eparistera Daimones will arrive in the States this Tuesday, March 23. Fischer and company make good on his promise.

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AN EXCUSE TO WRITE ABOUT TRIPTYKON

Wednesday, February 24th, 2010 at 1:30pm by

I’ve been looking for some reason – any reason – to write about Eparistera Daimones, the debut album from Tom G. Warrior’s new project, Triptykon. It’s been in constant rotation here at the Axl Annex ever since we received it a couple of weeks ago. This album RULES. Yesterday Cosmo Lee praised it for sounding “MASSIVE” and being a logical continuation of Celtic Frost’s Monotheist,” but I actually think it’s superior to Monotheist – it’s that fucking good.

The band has steadily been releasing some teaser videos, which are pretty lame and, unfortunately, don’t even hint at what a great record they’ve made. But the album’s March 23 release date (via Century Media) is closer than you think (it’s almost March already!!!), and I fear if I don’t post this, I’ll never have an excuse to tell you all to seek this bad boy out.

So don’t judge Eparistera Daimones by this video. Just trust me and get it when it comes out in a few weeks.

-AR

TRIPTYKON’S ALBUM ART LOOKS PRETTY COOL FROM A CERTAIN ANGLE

Monday, February 1st, 2010 at 1:30pm by

UPDATE: HEY, LOOKIT THAT! Here’s the cover in all its glory. My stupid original story after the jump.


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HAPPY NEW YEAR TO YOU: TRIPTYKON GET A RELEASE DATE

Monday, December 21st, 2009 at 2:30pm by

triptykon

Just a couple of weeks ago I was wondering if Triptykon, Thomas Gabriel Fischer’s post-Celtic Frost project, were ever gonna announce a release date for their debut album. I should have been more media savvy, though; the band didn’t release two new tracks just ’cause Tommy Boy wanted to share his art with you. There was an announcement in the works.

And that announcement has arrived, by way of e-mail press release! Hoo-ray! Here’s what that e-mail press release says:

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TRIPTYKON WILL WAX THAT ASS

Thursday, December 10th, 2009 at 4:30pm by

triptykon

It’s been well over a year since Thomas Gabriel Fischer announced he was leaving Celtic Frost and starting a new band, Triptykon, and there’s still no friggin’ album. And I fucking hated the first song the band released, “Crucifixus,” which was basically several minutes of droning seemingly designed to punish anyone hoping Triptykon might make actual music.

But now Mr. Fischer has bounced back with not one but two, count ‘em two, new Triptykon songs – “Abyss Within My Soul” and “A Thousand Lies.” And they totally redeem Tom G. Warrior for the awfulness that was “Crucifixus.”

These songs – which score right off the bat by being actual, y’know, songs – make good on Fischer’s promise that “Triptykon will sound as close to Celtic Frost as is humanly possible” and “will feature all the material I envisioned for the successor to [Celtic Frost's] Monotheist.” These tracks strikes me as very Monotheistical, and that can only be a good thing. Unless you’re a dick. Or deaf. In which case I apologize for calling you a dick. And wonder what you’re doing reading this site.

But I digress! Still no word on a release date for Triptykon’s debut, but hopefully we’ll get it sometime in 2010. In the meantime, check out the new shit here.

-AR

Thanks to Jason Beter for the tip!

TRIPTYKON: TOM G. WARRIOR’S REPLACEMENT BABY

Wednesday, May 21st, 2008 at 12:37pm by

Have you ever known a couple that had a baby, and then the baby died, and so they had a sort of “replacement baby,” like another baby to take the place of the dead one?

Well, I guess the concept applies to bands, too, ’cause a mere six weeks after quitting Celtic Frost, Thomas Gabriel Fischer – who I will always always always insist on calling “Tom G. Warrior” – has announced the formation of a new project, Triptykon (awful name, Tom), to basically pick up where Celtic Frost left off:

Triptykon will sound as close to Celtic Frost as is humanly possible, and the album I am working on will feature all the material I envisioned for the successor to Monotheist. I desire the album to be a darker, heavier, and slightly more experimental development of Monotheist.”

Well, I think we can commend Fischer/Warrior for coming right out and saying he basically wants to create Celtic Frost Version 2.0 (or 3.0, depending on how big a douche bag you are), as opposed to being the umpteenth musician to promise fans something “new” before releasing just another variation on their past discography.

What we can’t commend Fischer/Warrior for is “Cucifixus,” the demo now posted on the band’s MySpace page. Apparently, calling this new group “slightly more experimental” than Celtic Frost is the understatement of the year: the song is basically like two and half minutes of waiting for an actual song to start (has Tommy been listening to a lot of Bloody Panda lately?); put more succinctly, it sounds like Lustmord, but without all of the baggage of being, y’know, good.

Still, Fischer/Warrior is careful to say that the song “is but one of many compositions to that end. Triptykon is not defined by just this one song.” Hopefully we’ll get something more substantial (and enticing) soon.

-AR